1
00:01:38,010 --> 00:01:39,925
I WILL SIGN THAT
FOR YOU.

2
00:01:51,459 --> 00:01:54,418
OH, LEWIS, NOBODY GOES INSIDE,
OKAY? NOBODY.

3
00:02:00,816 --> 00:02:04,254
AH, KELLY.

4
00:02:04,298 --> 00:02:05,516
COME IN
AND SEE MY ETCHINGS.

5
00:02:05,560 --> 00:02:07,257
YEAH.
CAN I TRUST YOU?

6
00:02:11,131 --> 00:02:13,655
IT'S REALLY SUPER OF YOU
TO DROP BY, THEO.

7
00:02:13,698 --> 00:02:16,266
I'M ABSOLUTELY PARANOID
ABOUT SECURITY.

8
00:02:16,310 --> 00:02:18,486
YEAH. WELL, I WOULDN'T WORRY
ABOUT THE MEN AT THE FRONT DOOR.

9
00:02:18,529 --> 00:02:20,270
GOOD MEN.

10
00:02:20,314 --> 00:02:22,272
KELLY MCCALL,
THIS IS DETECTIVE CROCKER.

11
00:02:22,316 --> 00:02:23,839
- HI. GOOD LUCK ON THE SHOW.
- OH, HI. THANKS.

12
00:02:23,882 --> 00:02:25,797
YEAH, LOOK AT THAT.
IT'S KINDA FUN.

13
00:02:25,841 --> 00:02:28,452
OH, THANKS. YEAH,
ALEX ROSS LENT US THIS, TOO.

14
00:02:28,496 --> 00:02:30,106
- YOU KNOW HIS COLLECTIONS?
- OH, I KNOW HE COLLECTS

15
00:02:30,150 --> 00:02:32,326
BIG INTERNATIONAL
BUSINESS DEALS.

16
00:02:32,369 --> 00:02:33,718
IS HE
A PATRON OF THE ARTS, TOO?

17
00:02:33,762 --> 00:02:35,981
HE IS THE PATRON
OF THIS GALLERY.

18
00:02:36,025 --> 00:02:40,421
MY GRAND OPENING IS GOING
TO HAVE NOT ONE, NOT TWO,

19
00:02:40,464 --> 00:02:43,467
BUT FIVE REMBRANDTS
THAT HE'S LENT US.

20
00:02:43,511 --> 00:02:45,295
IT'S REALLY
SUCH A COUP FOR ME.

21
00:02:45,339 --> 00:02:47,341
HEY, THIS WHOLE PLACE
IS A COUP FOR YOU.

22
00:02:47,384 --> 00:02:48,951
FIVE YEARS AGO
THIS BUILDING WAS WHAT,

23
00:02:48,994 --> 00:02:51,562
- A BANKRUPT SECRETARIAL SCHOOL?
- RIGHT.

24
00:02:51,606 --> 00:02:53,999
THEN YOU HAD A VISION.
HEY, YOU DID GOOD, KELLY.

25
00:02:54,043 --> 00:02:57,002
SO WHERE'S THIS, UH,
THIS MILLION-DOLLAR COLLECTION?

26
00:02:57,046 --> 00:02:59,353
COME ON,
I'LL SHOW YOU.

27
00:03:04,053 --> 00:03:05,837
IT'S LOVELY.
I WISH YOU WELL.

28
00:03:05,881 --> 00:03:07,448
THANK YOU VERY MUCH.

29
00:03:07,491 --> 00:03:09,319
OH, WAIT UNTIL YOU SEE
WHAT WE HAVE IN THE BACK.

30
00:03:09,363 --> 00:03:12,322
- OKAY.
- THE PIECE DE RESISTANCE.

31
00:03:12,366 --> 00:03:14,977
OH, EVERYTHING'S
ADJUSTED CORRECTLY?

32
00:03:15,020 --> 00:03:17,066
- FINE, MA'AM.
- THANK YOU.

33
00:03:17,109 --> 00:03:19,111
OH, GREAT.
NOW, WHERE'S LEWIS?

34
00:03:19,155 --> 00:03:21,070
- LEWIS? WHO'S LEWIS?
- LEWIS IS THE GUARD.

35
00:03:21,113 --> 00:03:23,507
I'M SUPPOSED TO HAVE A GUARD
ON DUTY 24 HOURS A DAY.

36
00:03:23,551 --> 00:03:25,422
WELL,
IF I HAVEN'T MADE THAT CLEAR,

37
00:03:25,466 --> 00:03:28,077
I DON'T KNOW
WHAT I'M SUPPOSED TO DO.

38
00:03:36,999 --> 00:03:39,871
OH, MY GOD.

39
00:04:25,569 --> 00:04:27,963
THEY'RE HEADING
INTO A DEAD END, CROCKER.

40
00:04:40,932 --> 00:04:43,065
COME ON OUT, BOYS.

41
00:04:45,110 --> 00:04:46,764
- COME ON.
- COME, COME, COME, COME, COME.

42
00:04:46,808 --> 00:04:49,593
ASSUME THE POSITION.

43
00:04:53,641 --> 00:04:57,035
WELL, NO DRAWINGS
ON THIS ONE.

44
00:04:57,079 --> 00:04:59,081
ALL RIGHT,
TAKE 'EM OUT.

45
00:05:01,736 --> 00:05:04,826
GO AHEAD.

46
00:05:16,794 --> 00:05:19,623
WHAT HAPPENED?

47
00:05:19,667 --> 00:05:21,146
THOSE GUYS HIJACKED MY TRUCK
ON THE WAY TO WORK.

48
00:05:21,190 --> 00:05:22,931
YOU SEE THEM TOSS ANYTHING
BACK HERE

49
00:05:22,974 --> 00:05:24,628
WHEN THEY CAME OUTTA
THE GALLERY?

50
00:05:24,672 --> 00:05:26,543
JUST THE TOOLBOX, THAT'S ALL.
LOOK, I'M TRAVIZIUS.

51
00:05:26,587 --> 00:05:28,023
IT'S MY COMPANY.

52
00:05:28,066 --> 00:05:30,199
TRAVIZIUS,
YOU'RE KIDDIN'?

53
00:05:30,242 --> 00:05:32,027
LIKE VINCENT VAN GOGH
BEFORE THE OPERATION.

54
00:05:32,070 --> 00:05:34,899
RELAX,
YOU'RE IN GOOD HANDS.

55
00:05:48,870 --> 00:05:51,263
WELL, I'M TELLING YOU, FRANK,
KELLY AND I PERSONALLY SEARCHED

56
00:05:51,307 --> 00:05:53,875
THIS ENTIRE AREA BEFORE
WE LET ANYBODY BACK INSIDE.

57
00:05:53,918 --> 00:05:56,617
AND NOBODY'S BEEN ALLOWED INSIDE
EXCEPT OUR OWN MEN.

58
00:05:56,660 --> 00:05:58,836
WELL, I'M HAVING THE TRUCK
SENT DOWN TO THE GARAGE,

59
00:05:58,880 --> 00:06:01,143
TAKEN APART
PIECE BY PIECE.

60
00:06:01,186 --> 00:06:02,797
THOSE CLOWNS
ADMIT TO ANYTHING?

61
00:06:02,840 --> 00:06:04,668
WHY SHOULD THEY?

62
00:06:04,712 --> 00:06:05,669
I MEAN, WITHOUT THE DRAWINGS,
WE CAN'T PROVE A THING.

63
00:06:05,713 --> 00:06:06,975
EXCEPT THE TRUCK.

64
00:06:07,018 --> 00:06:09,238
THERE IS A WEAK FEDERAL CASE
FOR KIDNAPPING.

65
00:06:09,281 --> 00:06:11,240
OH. SO WHAT ARE THEY
LOOKING AT, THREE YEARS?

66
00:06:11,283 --> 00:06:13,285
FRANK, THESE ARE REMBRANDTS.
WE GOTTA FIND THEM, RIGHT?

67
00:06:13,329 --> 00:06:15,026
LOOK, YOU THINK MAYBE
THEY MIGHT HAVE

68
00:06:15,070 --> 00:06:16,854
HANDED THEM TO SOMEBODY
AS THEY LEFT?

69
00:06:16,898 --> 00:06:18,856
NO.
THE GUY SAYS

70
00:06:18,900 --> 00:06:21,293
HE WATCHED THEM GO STRAIGHT
TO THE TRUCK AND GET IN.

71
00:06:23,861 --> 00:06:26,211
OH, MR. ROSS,
I'M SO SORRY.

72
00:06:26,255 --> 00:06:28,866
I-I DON'T EVEN KNOW
WHAT TO SAY TO YOU.

73
00:06:28,910 --> 00:06:32,522
JUST TELL ME MY REMBRANDTS
ARE SAFE AND SOUND.

74
00:06:32,566 --> 00:06:34,698
WELL?

75
00:06:34,742 --> 00:06:36,004
THOSE ARE THE THIEVES,
AREN'T THEY?

76
00:06:36,047 --> 00:06:37,179
YES.

77
00:06:37,222 --> 00:06:38,876
SOMEHOW, MR. ROSS,

78
00:06:38,920 --> 00:06:41,749
THEY MANAGED TO GET RID OF
OR CONCEAL THE DRAWINGS

79
00:06:41,792 --> 00:06:45,274
BETWEEN LEAVING THE INSIDE ROOM
AND THE TIME THEY WERE GRABBED.

80
00:06:45,317 --> 00:06:47,885
WE'VE SEARCHED EVERYBODY,
INCLUDING THE GUARDS.

81
00:06:47,929 --> 00:06:49,321
YOU DON'T HAVE
MY REMBRANDTS?

82
00:06:49,365 --> 00:06:51,236
- NO, SIR.
- MR. ROSS,

83
00:06:51,280 --> 00:06:52,847
I'M LIEUTENANT KOJAK,
MANHATTAN SOUTH.

84
00:06:52,890 --> 00:06:55,284
I WAS ACTUALLY HERE IN
THE BUILDING WHEN THIS HAPPENED.

85
00:06:55,327 --> 00:06:57,765
I ASSURE YOU, WE'RE TAKING
EVERY NECESSARY STEP

86
00:06:57,808 --> 00:06:59,941
TO MAKE SURE NOTHING'S
BEEN REMOVED SINCE THE THEFT.

87
00:06:59,984 --> 00:07:02,073
COULD BE IN ONE OF THE INSIDE
ROOMS HIDDEN SOMEPLACE.

88
00:07:02,117 --> 00:07:04,032
YOU KNOW, MAYBE
SO THAT THEY'D COME BACK

89
00:07:04,075 --> 00:07:06,208
AND PICK THEM UP LATER.

90
00:07:06,251 --> 00:07:07,775
THAT'S HAPPENED BEFORE,
RIGHT, MCKEE?

91
00:07:07,818 --> 00:07:09,167
THAT'S RIGHT.

92
00:07:09,211 --> 00:07:11,387
SOMETIMES OBJECTS
ARE STOLEN

93
00:07:11,431 --> 00:07:13,345
AND CONCEALED NEAR THE SITE
OF THE THEFT

94
00:07:13,389 --> 00:07:15,696
THEN RECOVERED WEEKS,
EVEN MONTHS, LATER

95
00:07:15,739 --> 00:07:17,915
- WHEN THE HEAT HAS DIED DOWN.
- WHO ARE YOU?

96
00:07:17,959 --> 00:07:21,223
I'M CHIEF INVESTIGATOR
FOR LANDMARK INSURANCE.

97
00:07:21,266 --> 00:07:23,051
WE CARRY YOUR POLICY
ON THESE WORKS.

98
00:07:23,094 --> 00:07:24,748
1.2 MILLION.

99
00:07:24,792 --> 00:07:26,097
DON'T TALK ABOUT MONEY.

100
00:07:26,141 --> 00:07:28,143
TALK ABOUT GENIUS.

101
00:07:28,186 --> 00:07:30,101
TALK ABOUT
THE HISTORY OF ART,

102
00:07:30,145 --> 00:07:32,887
THE IRREPLACEABILITY
OF THOSE DRAWINGS.

103
00:07:32,930 --> 00:07:36,717
NOW, LET ME UNDERSTAND.
YOU DO HAVE THE CULPRITS,

104
00:07:36,760 --> 00:07:38,762
AND YOU ACTUALLY WERE HERE
WHEN THE CRIME WAS COMMITTED

105
00:07:38,806 --> 00:07:41,025
AND YOU STILL CAN'T FIND
THOSE DRAWINGS?

106
00:07:41,069 --> 00:07:43,114
WELL, I FEEL SURE
WE'RE GONNA FIND THEM, MR. ROSS.

107
00:07:43,158 --> 00:07:45,160
I WONDER, DETECTIVE.

108
00:07:57,259 --> 00:07:59,043
I WANT YOU BOTH TO KNOW
I THINK WHAT YOU'VE DONE

109
00:07:59,087 --> 00:08:00,349
IS DETESTABLE
AND UNFORGIVEABLE.

110
00:08:00,392 --> 00:08:02,307
HOWEVER,

111
00:08:02,351 --> 00:08:05,180
I AM A MAN OF CONSIDERABLE POWER
AND INFLUENCE.

112
00:08:05,223 --> 00:08:07,399
I'LL SUPPLY YOU
WITH A FINE LAWYER,

113
00:08:07,443 --> 00:08:09,793
INTERCEDE ON YOUR BEHALF
WITH THE AUTHORITIES--

114
00:08:09,837 --> 00:08:11,708
IF WHAT, GUV'NER?
STOP BEATIN' AROUND THE BUSH.

115
00:08:11,752 --> 00:08:12,753
GET TO IT.

116
00:08:12,796 --> 00:08:14,972
IF YOU WILL TELL ME
PERSONALLY

117
00:08:15,016 --> 00:08:16,844
WHERE THOSE DRAWINGS ARE,

118
00:08:16,887 --> 00:08:19,411
I PROMISE YOU, YOU WILL HAVE
A MINIMUM AMOUNT OF DIFFICULTY.

119
00:08:21,196 --> 00:08:22,763
SORRY, LOVE,

120
00:08:22,806 --> 00:08:25,722
WE DON'T WANNA SERVE NO TIME,
NO WAY.

121
00:08:25,766 --> 00:08:28,986
WE DON'T BELIEVE THE POLICE
CAN FIND THEM DRAWINGS

122
00:08:29,030 --> 00:08:31,119
WITHOUT OUR HELP.
YOU HEAR THAT?

123
00:08:31,162 --> 00:08:32,903
YOU WANT THEM REMBRANDTS,

124
00:08:32,947 --> 00:08:34,775
DROP THE CHARGES.

125
00:08:34,818 --> 00:08:36,733
FORGET IT.

126
00:08:36,777 --> 00:08:38,387
HE'S BLUFFING.

127
00:08:38,430 --> 00:08:40,824
A COUPLE OF WEEKS,
PUBLICITY WILL DROP DOWN,

128
00:08:40,868 --> 00:08:42,086
AND, UH,
WE'LL MAKE THAT DEAL.

129
00:08:42,130 --> 00:08:45,089
OF COURSE, GENTLEMEN,

130
00:08:45,133 --> 00:08:47,309
IF YOU'LL GET US
OUT OF HERE FASTER,

131
00:08:47,352 --> 00:08:49,006
WE'LL COOPERATE
WITH YOU.

132
00:08:49,050 --> 00:08:51,226
HAVE A WORD?

133
00:08:58,973 --> 00:09:00,844
LET THEM TELL ME
WHERE THE DRAWINGS ARE.

134
00:09:00,888 --> 00:09:04,108
I MEAN, THEY COULD BE ROTTING
IN SOME SEWER OR SOMETHING.

135
00:09:04,152 --> 00:09:05,806
DO YOU KNOW
WHAT'S AT STAKE HERE?

136
00:09:05,849 --> 00:09:08,069
YEAH. BLACKMAIL.

137
00:09:08,112 --> 00:09:10,506
THERE'S NO WAY THE D.A.'S
GONNA GO ALONG WITH IT.

138
00:09:10,550 --> 00:09:12,377
FRANKLY, MR. ROSS,
I EXPECT TO FIND THOSE DRAWINGS

139
00:09:12,421 --> 00:09:14,031
IN THIS BUILDING
BEFORE VERY LONG.

140
00:09:14,075 --> 00:09:15,467
I'D LIKE TO BRING IN SOMEBODY
TO HELP.

141
00:09:15,511 --> 00:09:17,208
I'LL PAY FOR THEM
MYSELF.

142
00:09:17,252 --> 00:09:19,036
YOU MEAN,
A PRIVATE DETECTIVE?

143
00:09:19,080 --> 00:09:20,385
NO, NOT SOME
PRIVATE DETECTIVE,

144
00:09:20,429 --> 00:09:23,214
BUT THE CLEVEREST INVESTIGATOR
IN ALL EUROPE.

145
00:09:23,258 --> 00:09:25,390
VALENTINE?

146
00:09:25,434 --> 00:09:27,218
EXACTLY RIGHT.

147
00:09:27,262 --> 00:09:30,091
IF I CAN GET HIM.

148
00:09:33,050 --> 00:09:34,225
WELL,
IF HE WANTS TO ASSIGN

149
00:09:34,269 --> 00:09:36,837
A SPECIAL INVESTIGATOR
TO THIS CASE,

150
00:09:36,880 --> 00:09:38,795
I DON'T SUPPOSE THERE'S ANY WAY
WE CAN PREVENT IT.

151
00:09:38,839 --> 00:09:40,928
FRANK, I'M DELIGHTED. YOU
DON'T REMEMBER DR. VALENTINE,

152
00:09:40,971 --> 00:09:43,757
- DR. ANTON VALENTINE?
- HE'S A LEGEND.

153
00:09:43,800 --> 00:09:46,411
PROBABLY THE LEADING
CRIMINOLOGIST IN THE WORLD.

154
00:09:46,455 --> 00:09:49,850
OR HE WAS UNTIL HE LEFT HIS
POLICE FORCE A FEW YEARS BACK.

155
00:09:49,893 --> 00:09:51,808
THAT WAS IN MILAN,
I THINK.

156
00:09:51,852 --> 00:09:54,158
YEAH, YEARS AGO WHEN I WAS
TAKING COURSES AT JOHN JAY

157
00:09:54,202 --> 00:09:56,073
FOR MY EXAMS,
HE WAS A GUEST LECTURER.

158
00:09:56,117 --> 00:09:59,033
- A GENIUS, LOVED HIM.
- WELL, I HEAR HE'S CHANGED.

159
00:09:59,076 --> 00:10:02,079
- HOW'S THAT?
- 50,000 A JOB, FLAT MINIMUM.

160
00:10:02,123 --> 00:10:03,864
AND HE WORKS FOR ANYBODY,

161
00:10:03,907 --> 00:10:06,736
AND I MEAN ANYBODY.

162
00:10:06,780 --> 00:10:08,999
WHEN I KNEW THE MAN,
THE ONE THING HE CARED ABOUT

163
00:10:09,043 --> 00:10:11,088
MORE THAN A BRILLIANT
INVESTIGATION WAS JUSTICE.

164
00:10:11,132 --> 00:10:14,265
WELL, I HEAR HE PLAYS BOTH
SIDES OF THE LAW THESE DAYS.

165
00:10:14,309 --> 00:10:16,267
REALLY?

166
00:10:16,311 --> 00:10:19,836
I THINK SOMEBODY
JUST PULLED YOUR PEDESTAL.

167
00:10:19,880 --> 00:10:23,448
YEAH. A MAN DOESN'T CHANGE
THAT MUCH THAT FAST, FRANK.

168
00:10:23,492 --> 00:10:26,190
I CAN'T BELIEVE IT.

169
00:10:43,991 --> 00:10:45,514
LIEUTENANT, KOJAK.

170
00:10:45,557 --> 00:10:49,257
- THEO.
- DOCTOR, HOW GOOD TO SEE YOU.

171
00:10:49,300 --> 00:10:51,868
- DOCTOR, THIS IS CAPTAIN MCNEIL.
- DOCTOR.

172
00:10:51,912 --> 00:10:54,218
AND SAY HELLO
TO DETECTIVE CROCKER.

173
00:10:54,262 --> 00:10:55,480
- HI, DOCTOR.
- THIS IS DR. ANTON VALENTINE.

174
00:10:55,524 --> 00:10:57,439
MY PLEASURE, GENTLEMEN.

175
00:10:57,482 --> 00:10:58,614
I IMAGINE YOU HAVE
A BIT OF A JET LAG.

176
00:10:58,658 --> 00:11:00,485
OH, NOT AT ALL.
MR. ROSS REACHED ME

177
00:11:00,529 --> 00:11:02,792
IN THE CARIBBEAN
WHERE I WAS COMPLETING A CASE.

178
00:11:02,836 --> 00:11:04,228
WHAT WAS HAPPENING
IN THE CARIBBEAN?

179
00:11:04,272 --> 00:11:07,144
A, UH, SMALL CACHE
OF NARCOTICS

180
00:11:07,188 --> 00:11:08,493
THE POLICE
COULD NOT LOCATE.

181
00:11:08,537 --> 00:11:11,366
WHICH, I'M SURE,
IN SOME INGENIOUS WAY

182
00:11:11,409 --> 00:11:12,802
YOU'VE GOTTEN BACK
FOR THE AUTHORITIES.

183
00:11:12,846 --> 00:11:14,543
SOMETHING LIKE THAT.

184
00:11:14,586 --> 00:11:16,588
I STOPPED OFF AT THE GALLERY.
FOUND NOTHING YOU OVERLOOKED.

185
00:11:16,632 --> 00:11:18,329
THIS IS THE TRUCK.

186
00:11:18,373 --> 00:11:19,417
YEAH.

187
00:11:19,461 --> 00:11:22,116
- MAY I?
- OF COURSE.

188
00:11:27,599 --> 00:11:30,167
AH.

189
00:11:30,211 --> 00:11:33,344
FIVE REMBRANDT DRAWINGS

190
00:11:33,388 --> 00:11:35,564
OUT OF THE FRAMES, HMM?

191
00:11:35,607 --> 00:11:37,435
ABOUT THIS SIZE.

192
00:11:37,479 --> 00:11:39,437
YES, I SUPPOSE THEY COULD HAVE
GOTTEN PAST THE GUARDS

193
00:11:39,481 --> 00:11:41,526
ROLLED UP THEIR SLEEVES
OR SOMETHING,

194
00:11:41,570 --> 00:11:44,051
BUT THEN, UH,
THEY'D HAVE TO BE IN THE TRUCK.

195
00:11:44,094 --> 00:11:47,010
WOULD YOU
GIVE ME A MINUTE

196
00:11:47,054 --> 00:11:48,490
JUST TO HAVE
A LITTLE FUN?

197
00:11:48,533 --> 00:11:51,232
OF COURSE.

198
00:11:58,674 --> 00:12:00,197
WHAT CAN I TELL YA,
FRANK?

199
00:12:00,241 --> 00:12:03,113
THE MAN GIVES
GREAT DEMONSTRATIONS.

200
00:12:06,203 --> 00:12:08,249
READY, GENTLEMEN.

201
00:12:12,427 --> 00:12:14,603
ALL RIGHT.
GO AHEAD, CROCKER.

202
00:12:34,623 --> 00:12:36,190
GOOD THOUGHT.

203
00:12:51,161 --> 00:12:54,251
HUH.

204
00:12:54,295 --> 00:12:56,688
I THOUGHT
YOU WOULD HAVE TRIED,

205
00:12:56,732 --> 00:12:59,604
BUT I COULD NOT RESIST.

206
00:12:59,648 --> 00:13:01,302
IMPASSE, HUH?

207
00:13:01,345 --> 00:13:03,434
- STYMIED.
- FOR THE MOMENT.

208
00:13:03,478 --> 00:13:06,307
WELL, IN THAT CASE,
WE MOVE TO PLAN "B".

209
00:13:06,350 --> 00:13:07,917
WHICH IS?

210
00:13:07,961 --> 00:13:11,138
WE EAT.

211
00:13:14,271 --> 00:13:16,099
AS I UNDERSTAND IT,
DOC,

212
00:13:16,143 --> 00:13:18,101
YOU'RE SAYING THIS GERMAN
HAD STOLEN SOME PAINTINGS

213
00:13:18,145 --> 00:13:19,929
FROM HIS OWN COLLECTION?

214
00:13:19,973 --> 00:13:22,279
YES.
I WAS CONVINCED OF IT,

215
00:13:22,323 --> 00:13:24,412
AND THE INSURANCE COMPANY
HIRED ME TO PROVE IT.

216
00:13:24,455 --> 00:13:26,675
AND YOU GOT THEM BACK
IN A WEEK. HOW?

217
00:13:26,718 --> 00:13:29,547
WELL, I STOLE
TWO OTHER PAINTINGS FROM HIM

218
00:13:29,591 --> 00:13:31,114
OF GREATER VALUE

219
00:13:31,158 --> 00:13:34,074
AND RANSOMED THEM BACK TO HIM
FOR THE MISSING ONES.

220
00:13:34,117 --> 00:13:36,990
- YOU STOLE TWO PAINTINGS?
- ARE--ARE YOU SHOCKED, THEO?

221
00:13:37,033 --> 00:13:40,123
WELL, FOR A MAN, WHAT,

222
00:13:40,167 --> 00:13:42,169
30 YEARS AS A POLICEMAN,
A CRIMINOLOGIST,

223
00:13:42,212 --> 00:13:44,301
THAT IS A SWITCH,
ISN'T IT?

224
00:13:44,345 --> 00:13:48,175
I DO NOT HAVE TO PLAY
BY THOSE OLD RULES, YOU SEE.

225
00:13:48,218 --> 00:13:51,656
I HAVE ACCESS TO A NEW PIPELINE
OF INFORMATION.

226
00:13:51,700 --> 00:13:53,528
FOR EXAMPLE,

227
00:13:53,571 --> 00:13:55,660
THAT AUSTRALIAN
WITH THE FRENCH NAME,

228
00:13:55,704 --> 00:13:57,140
UH, FORETTE.

229
00:13:57,184 --> 00:13:58,968
THERE IS A CERTAIN GANG
IN PARIS

230
00:13:59,012 --> 00:14:00,665
THAT WOULD LOVE TO, UH,

231
00:14:00,709 --> 00:14:03,451
SLIT HIS THROAT
IF THEY KNEW WHERE HE WAS.

232
00:14:03,494 --> 00:14:06,671
NOW, PERHAPS IF I PROMISE HIM
NOT TO TIP THEM OFF,

233
00:14:06,715 --> 00:14:08,673
HE WILL COME CLEAN
ABOUT THE DRAWINGS.

234
00:14:08,717 --> 00:14:11,633
PERHAPS YOU CAN ARRANGE
A MEETING FOR ME

235
00:14:11,676 --> 00:14:13,722
WITH HIM
AT THE PRISON TOMORROW.

236
00:14:16,551 --> 00:14:20,511
THEN WE WILL MOVE ON
TO A ROTHSCHILD '59.

237
00:14:20,555 --> 00:14:23,210
IS THAT THE ONE ON THE MENU
FOR 150 BUCKS?

238
00:14:23,253 --> 00:14:25,516
CAPTAIN,
YOU ARE MY GUEST.

239
00:14:27,736 --> 00:14:31,348
I TOLD YOU, VALENTINE, I MADE
MY PEACE WITH THAT FRENCH MOB.

240
00:14:31,392 --> 00:14:33,481
YOU'VE GOT NOTHING
TO OFFER ME THERE.

241
00:14:33,524 --> 00:14:36,179
JUST GET US
OUT OF HERE.

242
00:14:36,223 --> 00:14:38,399
PERHAPS
IN ANOTHER COUNTRY

243
00:14:38,442 --> 00:14:42,098
WITH THE PROPER BRIBES,
BUT NOT HERE.

244
00:14:42,142 --> 00:14:44,666
DO WHAT YOU DID IN AFRICA,
MATE.

245
00:14:44,709 --> 00:14:47,234
JUST DO THAT WHAT YOU DID
IN AFRICA. THAT'S ALL.

246
00:14:47,277 --> 00:14:49,410
I DO NOT UNDERSTAND
WHAT YOU MEAN.

247
00:14:49,453 --> 00:14:51,412
YOU SPRUNG THEM HOSTAGES
FROM JAIL

248
00:14:51,455 --> 00:14:53,109
FOR £50,000, RIGHT?

249
00:14:53,153 --> 00:14:54,850
WHAT IS YOUR POINT?

250
00:14:54,894 --> 00:14:57,853
MAKE $200,000 HERE,
YOU KNOW.

251
00:14:57,897 --> 00:15:00,203
GET US OUTTA JAIL

252
00:15:00,247 --> 00:15:03,337
AND WE'LL SHOW YOU WHERE
THEM DRAWINGS ARE, VALENTINE.

253
00:15:03,380 --> 00:15:05,121
ALL RIGHT?

254
00:15:05,165 --> 00:15:06,775
I KNOW,
YOU FEEL THAT THE--

255
00:15:06,818 --> 00:15:09,212
THE PRICE MAY BE
TOO STIFF FOR ROSS.

256
00:15:09,256 --> 00:15:10,648
HA HA.
YOU'RE WRONG!

257
00:15:10,692 --> 00:15:13,608
JUST SHOW US HOW
TO GET OUT OF JAIL, VALENTINE.

258
00:15:13,651 --> 00:15:17,177
I PROMISE YOU,

259
00:15:17,220 --> 00:15:20,267
YOU'LL BE RICH.
YOU WILL.

260
00:15:23,661 --> 00:15:26,621
WE WILL SEE.

261
00:15:40,635 --> 00:15:42,898
YEAH.

262
00:15:42,942 --> 00:15:45,596
WE'LL PUT YOUR TRUCK BACK IN
GOOD CONDITION, MR. TRAVIZIUS.

263
00:15:45,640 --> 00:15:47,903
YOU TELL THEM
TO PUT IT BACK LIKE NEW.

264
00:15:47,947 --> 00:15:50,645
HOW ABOUT THIS SCRATCH HERE?
IT LOOKS LIKE A WOUND.

265
00:15:50,688 --> 00:15:52,473
I DON'T WANT TO TALK ABOUT
THE TRUCK ANYMORE, OKAY?

266
00:15:52,516 --> 00:15:54,214
I WANT TO TALK ABOUT
THIS TOOLBOX.

267
00:15:54,257 --> 00:15:56,564
IT'S JUST POSSIBLE, WHEREVER
THESE DRAWINGS WERE HIDDEN,

268
00:15:56,607 --> 00:15:58,609
THERE MIGHT HAVE BEEN SOME SORT
OF SPECIAL TOOL REQUIRED,

269
00:15:58,653 --> 00:16:00,568
YOU KNOW WHAT I MEAN?

270
00:16:00,611 --> 00:16:02,744
A SPECIAL TOOL
FOR DISAPPEARING DRAWINGS?

271
00:16:02,787 --> 00:16:05,965
SO LOOK FOR A WAND.
A WAND, LIKE A MAGICIAN.

272
00:16:06,008 --> 00:16:08,532
LIKE THAT.

273
00:16:08,576 --> 00:16:10,491
THAT'S VERY FUNNY.

274
00:16:10,534 --> 00:16:12,406
NOW, IS THERE ANY TOOL IN HERE
THAT DOES NOT BELONG

275
00:16:12,449 --> 00:16:14,625
TO YOUR WORKMEN?
WRENCH, WIRE CUTTERS,

276
00:16:14,669 --> 00:16:16,584
SCREWDRIVERS--
LET'S SEE, THREE REGULAR,

277
00:16:16,627 --> 00:16:18,934
THREE PHILLIPS--
TWO CANS OF LUBRICATING OIL,

278
00:16:18,978 --> 00:16:20,892
ONE EMPTY, SMALL HAMMER.

279
00:16:20,936 --> 00:16:22,982
HERE, LOOK IT OVER.

280
00:16:26,507 --> 00:16:27,943
EVERYTHING HERE
IS PERFECTLY NORMAL.

281
00:16:27,987 --> 00:16:29,684
WHAT DID MY PARTNER
TELL YOU?

282
00:16:29,727 --> 00:16:32,600
SAME THING, MR. TRAVIZIUS.
ANYWAY, THANK YOU.

283
00:16:32,643 --> 00:16:34,602
WE'LL GET THIS BACK TO YOU LATER
IN PERFECT SHAPE.

284
00:16:34,645 --> 00:16:36,647
- WHEN?
- WHEN?

285
00:16:36,691 --> 00:16:38,345
WHEN WE FIND
THE DRAWINGS.

286
00:16:38,388 --> 00:16:39,868
AND IF YOU
DON'T FIND THEM?

287
00:16:39,911 --> 00:16:43,828
PEOPLE NEED TOOLS.
THEY DON'T NEED DRAWINGS.

288
00:16:43,872 --> 00:16:45,874
FORSOOTH, YOU SAY.

289
00:16:45,917 --> 00:16:48,964
BEAUTY AND IMAGINATION,
REMBRANDT,

290
00:16:49,008 --> 00:16:51,314
PEOPLE DO NEED THAT.

291
00:16:51,358 --> 00:16:54,665
IT'S WRONG, MR. TRAVIZIUS,
ALL WRONG.

292
00:16:58,408 --> 00:17:02,412
KOJAK IS A BRILLIANT
POLICEMAN, MR. ROSS.

293
00:17:02,456 --> 00:17:05,372
AND IF THOSE DRAWINGS VANISHED
FROM UNDERNEATH HIS NOSE,

294
00:17:05,415 --> 00:17:07,809
THEN WE HAVE A REAL MYSTERY
ON OUR HANDS.

295
00:17:07,852 --> 00:17:09,071
DID FORETTE
TELL YOU ANYTHING?

296
00:17:09,115 --> 00:17:11,552
WELL, HE CONVINCED ME

297
00:17:11,595 --> 00:17:14,598
THAT HE WOULD SAY NOTHING
ABOUT THE REMBRANDTS

298
00:17:14,642 --> 00:17:17,036
UNTIL HE IS POSITIVE THAT
HE WILL GET OUT OF THE JAIL.

299
00:17:17,079 --> 00:17:19,081
THEN GET HIM
OUT OF JAIL.

300
00:17:19,125 --> 00:17:21,388
IF ANYBODY CAN, YOU CAN.

301
00:17:21,431 --> 00:17:23,433
WELL, IF I GO THROUGH
WITH THIS PLAN,

302
00:17:23,477 --> 00:17:25,870
AND I AM CAUGHT,
THEN I WILL GO TO JAIL.

303
00:17:25,914 --> 00:17:28,482
YOU'RE GETTING $50,000,
VALENTINE.

304
00:17:28,525 --> 00:17:31,093
I WANT $200,000.

305
00:17:31,137 --> 00:17:32,312
IMPOSSIBLE.

306
00:17:32,355 --> 00:17:34,009
AU REVOIR.

307
00:17:34,053 --> 00:17:37,752
UH, VALENTINE,
JUST A MINUTE.

308
00:17:37,795 --> 00:17:40,711
I-I WANT YOU
TO KNOW

309
00:17:40,755 --> 00:17:43,540
I'M IN THE MOST SERIOUS
OF FINANCIAL DIFFICULTIES.

310
00:17:43,584 --> 00:17:45,673
WHEN I RECOVER THOSE WORKS,
I'LL PROBABLY HAVE TO SELL THEM

311
00:17:45,716 --> 00:17:48,110
STRAIGHT OFF.
I NEED THE CASH.

312
00:17:48,154 --> 00:17:50,678
WELL, WHY DON'T YOU COLLECT
THE INSURANCE,

313
00:17:50,721 --> 00:17:52,636
A MILLION 2, EH?

314
00:17:52,680 --> 00:17:53,985
THEY WON'T PAY,

315
00:17:54,029 --> 00:17:57,685
NOT UNTIL THIS PUZZLE
IS SOLVED.

316
00:17:57,728 --> 00:18:01,906
NO, I THINK WE OUGHT TO DO
WHAT THOSE THIEVES WANT,

317
00:18:01,950 --> 00:18:05,562
GET 'EM
OUT OF THAT JAIL.

318
00:18:05,606 --> 00:18:07,738
I'LL PAY $75,000.

319
00:18:07,782 --> 00:18:10,393
AH, ROUAULT.

320
00:18:10,437 --> 00:18:11,786
MY FAVORITE.

321
00:18:11,829 --> 00:18:13,048
HOW MUCH IS THAT WORTH,
MR. ROSS?

322
00:18:13,092 --> 00:18:15,442
$150,000 MINIMUM.
WHY?

323
00:18:15,485 --> 00:18:18,706
I WILL TELL YOU
WHAT I WILL DO.

324
00:18:18,749 --> 00:18:21,839
YOU GIVE ME THIS, AND I WILL
SPRING THEM FROM THE JAIL.

325
00:18:21,883 --> 00:18:24,103
YES OR NO?

326
00:18:24,146 --> 00:18:27,410
YES.

327
00:18:31,153 --> 00:18:33,460
NOW, THIS IS THE WORST THING
THAT COULD HAPPEN TO YOU, RIGHT?

328
00:18:33,503 --> 00:18:35,679
I MEAN, YOUR OPENING
GETS POSTPONED,

329
00:18:35,723 --> 00:18:37,464
COLLECTORS THINK TWICE
ABOUT LENDING YOU THINGS.

330
00:18:37,507 --> 00:18:38,943
- RIGHT?
- NO.

331
00:18:38,987 --> 00:18:40,423
LOOK, THE WORST THING
THAT CAN HAPPEN

332
00:18:40,467 --> 00:18:42,077
IS THAT THEY DON'T FIND
THE DRAWINGS.

333
00:18:42,121 --> 00:18:43,165
WHY?

334
00:18:43,209 --> 00:18:45,907
KELLY, UH...

335
00:18:45,950 --> 00:18:49,693
THE CHIEF OF DETECTIVES...

336
00:18:49,737 --> 00:18:52,392
HE WANTS TO KNOW HOW COME
YOU'RE NOT A BIG, FAT SUSPECT.

337
00:18:52,435 --> 00:18:54,133
WHAT?

338
00:18:54,176 --> 00:18:56,439
LOOK, YOU KNOW,
I TOLD HIM, YOU KNOW,

339
00:18:56,483 --> 00:18:57,919
WE'RE OLD FRIENDS--
WHAT, TEN YEARS NOW?

340
00:18:57,962 --> 00:19:00,878
AN OCCASIONAL DRINK
EVERY NOW AND THEN, WHATEVER.

341
00:19:00,922 --> 00:19:02,967
BUT I REALLY DON'T KNOW YOU
THAT WELL, DO I?

342
00:19:03,011 --> 00:19:05,144
OH, COME ON!

343
00:19:05,187 --> 00:19:08,582
LOOK,
I AM 29 YEARS OLD,

344
00:19:08,625 --> 00:19:11,193
AND BECAUSE OF THIS OBSESSION
THAT I HAVE WITH ART,

345
00:19:11,237 --> 00:19:14,196
I AM SINGULARLY UNMARRIED,

346
00:19:14,240 --> 00:19:16,938
I AM CONSTANTLY
STRAPPED FOR CASH,

347
00:19:16,981 --> 00:19:18,635
I AM GROSSLY OVERWORKED,

348
00:19:18,679 --> 00:19:21,421
AND I LOVE IT, RIGHT?
THAT MAKES SENSE, HUH?

349
00:19:21,464 --> 00:19:23,162
OH, YOU'RE RIGHT.

350
00:19:23,205 --> 00:19:24,815
YEAH, I STOLE THEM.

351
00:19:24,859 --> 00:19:26,687
I SMUGGLED THEM OUT
IN MY UMBRELLA HANDLE

352
00:19:26,730 --> 00:19:28,993
AND I'M USING THEM AS PLACE MATS
IN MY BREAKFAST NOOK.

353
00:19:29,037 --> 00:19:31,909
BOY, YOU CAN BE DUMB.

354
00:19:31,953 --> 00:19:34,173
HEY, KELLY,

355
00:19:34,216 --> 00:19:35,783
I'M A COP.

356
00:19:35,826 --> 00:19:37,741
THEY ASK ME TO INTERROGATE YA,
I INTERROGATE YA.

357
00:19:37,785 --> 00:19:40,091
LOOK AT ME, THEO.
I'VE BEEN UP FOR 36 HOURS.

358
00:19:40,135 --> 00:19:41,658
- WHY DO YOU--
- HEY.

359
00:19:41,702 --> 00:19:45,184
I BELIEVE YOU, OKAY?

360
00:19:47,925 --> 00:19:49,579
OKAY.

361
00:19:53,844 --> 00:19:56,673
THEO.

362
00:19:56,717 --> 00:19:58,240
WHAT'S NEW
AT YOUR END?

363
00:19:58,284 --> 00:20:00,547
WELL, I HAVE
SPOKEN TO FORETTE,

364
00:20:00,590 --> 00:20:02,113
AND HE WILL COOPERATE,

365
00:20:02,157 --> 00:20:05,987
BUT HE HAS NO IDEA
WHERE THE DRAWINGS ARE.

366
00:20:06,030 --> 00:20:08,163
YOU SEE, NIKO TOOK THEM
INTO THE NEXT ROOM

367
00:20:08,207 --> 00:20:10,600
WHILE HE WAS
TYING UP THE GUARD.

368
00:20:10,644 --> 00:20:12,646
AND NIKO WILL NOT SAY
WHAT HE DID WITH THEM.

369
00:20:12,689 --> 00:20:14,169
HOWEVER,

370
00:20:14,213 --> 00:20:16,954
NIKO TALKS IN HIS SLEEP
CONSTANTLY.

371
00:20:16,998 --> 00:20:20,175
AND IT IS DRIVING FORETTE
WHO-WHO.

372
00:20:20,219 --> 00:20:22,786
TALKS ABOUT WHAT?
THE REMBRANDTS?

373
00:20:22,830 --> 00:20:25,572
MAYBE. BUT FORETTE
DOES NOT UNDERSTAND DUTCH

374
00:20:25,615 --> 00:20:27,226
SO HE DOES NOT KNOW
WHAT NIKO IS SAYING.

375
00:20:30,141 --> 00:20:32,013
BUT FORETTE
DOES NOT UNDERSTAND DUTCH

376
00:20:32,056 --> 00:20:34,842
SO HE DOES NOT KNOW
WHAT NIKO IS SAYING.

377
00:20:34,885 --> 00:20:37,148
THIS IS THE SMALLEST,

378
00:20:37,192 --> 00:20:39,586
THE MOST SENSITIVE,
THE BEST.

379
00:20:39,629 --> 00:20:41,588
WE WILL GIVE IT
TO FORETTE.

380
00:20:41,631 --> 00:20:44,025
HE WILL RECORD WHAT NIKO IS
TALKING IN HIS SLEEP,

381
00:20:44,068 --> 00:20:45,592
I WILL TRANSLATE
FROM THE DUTCH,

382
00:20:45,635 --> 00:20:49,204
AND PERHAPS, WE HOPE,
WE COME UP WITH A CLUE.

383
00:20:49,248 --> 00:20:50,945
WORTH A CHANCE.

384
00:20:53,556 --> 00:20:55,123
WHAT'S TO LOSE?

385
00:20:55,166 --> 00:20:57,647
EXCUSE US A SECOND,
VALENTINE.

386
00:21:05,829 --> 00:21:07,222
I'LL TELL YOU
WHAT'S TO LOSE.

387
00:21:07,266 --> 00:21:08,702
THE DRAWINGS,
THAT'S WHAT.

388
00:21:08,745 --> 00:21:10,312
HOW DO
YOU FIGURE THAT?

389
00:21:10,356 --> 00:21:12,314
LET'S SAY VALENTINE
GETS SOMETHING ON THAT TAPE

390
00:21:12,358 --> 00:21:14,055
THAT POINTS THE FINGER
TO THE REMBRANDTS,

391
00:21:14,098 --> 00:21:15,883
SUPPOSE HE DOESN'T
TRANSLATE IT JUST RIGHT,

392
00:21:15,926 --> 00:21:18,015
SUPPOSE HE FINDS THEM
AND KEEPS THEM.

393
00:21:18,059 --> 00:21:19,800
YOU REALLY ARE
DOWN ON THE MAN, AREN'T YOU?

394
00:21:19,843 --> 00:21:22,585
DO YOU KNOW HOW HE RECOVERED
TWO MISSING PAINTINGS

395
00:21:22,629 --> 00:21:24,065
- IN GERMANY?
- YES, STOLE TWO OTHER ONES

396
00:21:24,108 --> 00:21:25,719
FROM THE OWNER.
HE ADMITTED THAT.

397
00:21:25,762 --> 00:21:27,329
WHICH MAKES HIM
A CRIMINAL.

398
00:21:27,373 --> 00:21:28,722
WELL, CERTAINLY
NOT A SAINT.

399
00:21:28,765 --> 00:21:31,594
FRANK, HE'S NOT
A QUIET LITTLE PROFESSOR

400
00:21:31,638 --> 00:21:33,770
WITH BIFOCALS AND PIPE ASHES
ALL OVER HIS SHIRT.

401
00:21:33,814 --> 00:21:35,337
HE'S GOT A NEW LIFE.
HE'S ENJOYING HIMSELF.

402
00:21:35,381 --> 00:21:37,557
I'LL TELL YOU WHAT,
LET HIM DO HIS NUMBER

403
00:21:37,600 --> 00:21:39,646
WITH THE TAPE RECORDER,
BUT WE'LL GET IT BACK UNPLAYED,

404
00:21:39,689 --> 00:21:41,909
HAVE OUR INTERPRETER BE
THE FIRST TO LISTEN TO IT, OKAY?

405
00:21:41,952 --> 00:21:44,346
ALL RIGHT,
I'LL TELL HIM.

406
00:21:44,390 --> 00:21:46,087
HEY, MCKEE,

407
00:21:46,130 --> 00:21:48,263
THIS MAN HASN'T DONE A THING,
SO FAR, BEHIND OUR BACKS, RIGHT?

408
00:21:48,307 --> 00:21:49,656
HE HASN'T
KEPT ANYTHING FROM US.

409
00:21:49,699 --> 00:21:51,048
HOW DO YOU KNOW?

410
00:21:51,092 --> 00:21:52,659
I GUESS I DON'T.

411
00:22:00,667 --> 00:22:02,016
IT'S ALL SET.

412
00:22:02,059 --> 00:22:05,106
HE'S ON HIS WAY
TO THE WARDEN'S OFFICE NOW.

413
00:22:06,760 --> 00:22:10,241
HEY, THAT'S AN OBJECT OF ART,
MY FRIEND.

414
00:22:10,285 --> 00:22:12,983
WHICH, INCIDENTALLY,
AFTER WHAT'S HAPPENED,

415
00:22:13,027 --> 00:22:15,116
MR. ROSS WANTS
SHIPPED BACK TO HIM.

416
00:22:17,205 --> 00:22:22,210
YEAH, SURE.
MCKEE!

417
00:22:22,253 --> 00:22:26,780
WHAT?

418
00:22:26,823 --> 00:22:28,912
LET'S SAY WE HADN'T CAUGHT
THOSE TWO CROOKS,

419
00:22:28,956 --> 00:22:32,394
LET'S SAY THEY OFFERED TO SELL
THE DRAWINGS BACK TO ROSS,

420
00:22:32,438 --> 00:22:35,397
WOULD THE INSURANCE PAY?

421
00:22:35,441 --> 00:22:37,747
YEAH, BUT WE'D
STILL BE TRYING TO NAB 'EM

422
00:22:37,791 --> 00:22:39,270
WHEN THEY HANDED
THE DRAWINGS OVER.

423
00:22:39,314 --> 00:22:41,142
OH.

424
00:22:41,185 --> 00:22:43,753
WELL, I'M NOT SO SURE THEY EVER
PLANNED TO TOUCH THEM AGAIN.

425
00:22:43,797 --> 00:22:46,974
I THINK KELLY HERE WAS GONNA
DO THEIR WORK FOR THEM,

426
00:22:47,017 --> 00:22:48,323
BY HAVING THIS SCULPTURE

427
00:22:48,367 --> 00:22:50,412
DELIVERED BACK
TO MR. ROSS' APARTMENT.

428
00:22:50,456 --> 00:22:52,327
NOT INTENTIONALLY, KELLY,
BELIEVE ME.

429
00:22:52,371 --> 00:22:53,981
WELL,
NOW I DON'T UNDERSTAND.

430
00:22:54,024 --> 00:22:56,723
CAN YOU GET THE SCULPTOR
WHO MADE THAT DOWN HERE NOW?

431
00:22:56,766 --> 00:22:58,812
YEAH, MAYBE. MAYBE.
HE LIVES ON THE ISLAND.

432
00:22:58,855 --> 00:23:00,857
IN THERE.

433
00:23:05,079 --> 00:23:08,125
I'LL JUST BE
A MINUTE.

434
00:23:37,807 --> 00:23:40,897
THANK YOU VERY MUCH.

435
00:23:43,073 --> 00:23:45,946
DON'T BE SUSPICIOUS, WARDEN.
IT'S A VERY SIMPLE DEVICE.

436
00:23:45,989 --> 00:23:49,906
YOU'RE POSITIVE?
NOTHING'S CONCEALED?

437
00:23:49,950 --> 00:23:54,041
DO YOU HAVE A PLACE TO HIDE THIS
WHERE NIKO WON'T SEE IT?

438
00:23:54,084 --> 00:23:56,870
I WILL TAPE IT
TO HIS BODY.

439
00:24:01,178 --> 00:24:03,311
WOULD YOU HOLD THAT,
PLEASE?

440
00:24:07,881 --> 00:24:10,274
OPEN YOUR SHIRT.

441
00:24:45,222 --> 00:24:47,834
GATE EIGHT UNLOCKING.

442
00:25:15,688 --> 00:25:17,994
YOU HAVE EVERYTHING?

443
00:25:18,038 --> 00:25:21,998
THE DIE...

444
00:25:22,042 --> 00:25:23,957
IT'S IN THE FILTER,
LOVE.

445
00:25:24,000 --> 00:25:26,220
TEST IT IN THE WATER,
WILL YA?

446
00:25:26,263 --> 00:25:28,657
COME ON, MOVE.

447
00:25:31,051 --> 00:25:32,879
PERFECT.

448
00:25:34,837 --> 00:25:37,057
WHAT ABOUT THE SAW?

449
00:25:39,494 --> 00:25:41,322
IT'S IN THE WIRE.

450
00:25:41,365 --> 00:25:44,064
IT'S ALL IN THE WIRE,
LOVE.

451
00:25:46,849 --> 00:25:49,373
ONE LITTLE SAW.

452
00:25:49,417 --> 00:25:52,812
DIAMOND DUST,
THE BEST.

453
00:25:52,855 --> 00:25:54,683
WHAT ABOUT THE PASSKEY
FOR THE CLOSET?

454
00:25:54,727 --> 00:25:57,468
- IN THE RECORDER, HUH?
- NO, THEY TOOK THAT APART.

455
00:25:57,512 --> 00:25:59,906
DID HE HAND IT
TO YOU?

456
00:25:59,949 --> 00:26:02,038
NO. THEY WERE WATCHING US
TOO CLOSELY.

457
00:26:02,082 --> 00:26:03,344
BUT HE TOLD YOU...

458
00:26:04,954 --> 00:26:06,173
WE HAD TO HAVE THE KEY.

459
00:26:08,044 --> 00:26:09,350
DON'T WORRY, LOVE.
HE'S A GENIUS.

460
00:26:09,393 --> 00:26:12,396
HERE, DARLING.
THERE'S YOUR BLOODY KEY.

461
00:26:17,488 --> 00:26:19,360
YOU SHOULD HAVE
PUT THIS WHOLE THING ON FILM.

462
00:26:19,403 --> 00:26:22,842
A WORK OF ART--
SCULPTOR TAKES HIS MOBILE APART

463
00:26:22,885 --> 00:26:25,018
SO POLICE CAN LOOK
FOR MISSING REMBRANDTS.

464
00:26:25,061 --> 00:26:28,064
ANYBODY CALL WARHOL TO SEE
IF HE WANTS TO SHOOT THIS?

465
00:26:28,108 --> 00:26:31,198
EXCUSE ME. COULD I TALK TO YOU
FOR A MINUTE?

466
00:26:31,241 --> 00:26:33,417
LOOK, NOW I PROMISED
NOT TO MENTION THIS,

467
00:26:33,461 --> 00:26:35,419
BUT THREE MONTHS AGO

468
00:26:35,463 --> 00:26:37,465
WHEN ROSS FIRST AGREED
TO LEND ME THE REMBRANDTS,

469
00:26:37,508 --> 00:26:40,207
HE WANTED TO SELL THEM
FOR $700,000.

470
00:26:40,250 --> 00:26:42,122
REALLY?
IS THAT A--

471
00:26:42,165 --> 00:26:43,514
THAT'S A BARGAIN,
ISN'T IT?

472
00:26:43,558 --> 00:26:45,386
YEAH, I THINK SO.

473
00:26:45,429 --> 00:26:47,954
BUT NOBODY WAS BUYING.
THERE'S NOT MUCH CASH AROUND.

474
00:26:47,997 --> 00:26:50,217
DOESN'T LOOK LIKE THERE'S MUCH
AROUND FOR ROSS EITHER.

475
00:26:50,260 --> 00:26:51,784
WELL, LOOK,
I DON'T KNOW,

476
00:26:51,827 --> 00:26:55,309
BUT I DID PROMISE
TO KEEP IT CONFIDENTIAL, OKAY?

477
00:26:55,352 --> 00:26:58,094
APPRECIATE IT.

478
00:27:02,229 --> 00:27:04,013
I GUESS YOU CAN LOOK
IN HERE NOW.

479
00:27:08,496 --> 00:27:11,847
IS THIS PART OF THE--
THE MOBILE?

480
00:27:11,891 --> 00:27:14,458
OH, I GOT--I'VE GOT TO STOP
THROWING MY EMPTIES AWAY

481
00:27:14,502 --> 00:27:16,896
LIKE THAT WHEN I WORK.

482
00:27:16,939 --> 00:27:19,072
WELL, I'LL BUY YOU A CASE
OR TWO MYSELF, MR. LEACOCK.

483
00:27:19,115 --> 00:27:21,204
- THANKS A LOT FOR YOUR TROUBLE.
- YOU'RE WELCOME.

484
00:27:23,467 --> 00:27:25,339
JUST WANTED TO CHECK THAT OUT,
VALENTINE,

485
00:27:25,382 --> 00:27:27,123
BEFORE IT GOT SENT BACK
TO YOUR EMPLOYER.

486
00:27:27,167 --> 00:27:29,822
WHY?
YOU THINK HE ROBBED HIMSELF?

487
00:27:29,865 --> 00:27:31,432
WHY DON'T YOU TELL US?
YOU SIZED HIM UP,

488
00:27:31,475 --> 00:27:33,826
DISCUSSED YOUR FEE. HOW DO YOU
THINK HE STANDS FINANCIALLY?

489
00:27:33,869 --> 00:27:38,091
YOU MEAN, DO I THINK HE NEEDS
THE INSURANCE MONEY?

490
00:27:38,134 --> 00:27:41,050
ANTON, JUST GIVE ME
A STRAIGHT ANSWER, PLEASE.

491
00:27:41,094 --> 00:27:42,835
CAN WE DISCUSS
THIS ALONE,

492
00:27:42,878 --> 00:27:45,576
JUST THE TWO OF US,
AND--AND PLEASE,

493
00:27:45,620 --> 00:27:47,448
CAN WE GET SOMETHING
TO EAT?

494
00:28:14,344 --> 00:28:17,957
WHAT DID HE TELL YOU
IN HIS VISITING ROOM?

495
00:28:18,000 --> 00:28:21,177
WE HAVE TO CUT SOMETHING ELSE,
A-A LITTLE RED WIRE.

496
00:28:21,221 --> 00:28:23,614
COME HERE. COME HERE.
THERE'S THE LITTLE BLEEDER.

497
00:28:23,658 --> 00:28:26,530
OH. GO ON.
LOOK AFTER THE LOCK.

498
00:28:26,574 --> 00:28:28,489
HERE YOU GO. MOVE.

499
00:28:28,532 --> 00:28:30,273
STATION 12 TO CONTROL.

500
00:28:30,317 --> 00:28:32,885
I'VE GOT AN UNCONSCIOUS INMATE
IN 413.

501
00:28:32,928 --> 00:28:34,451
CAN WE GET A MEDIC HERE?

502
00:28:34,495 --> 00:28:36,453
ROGER, 12.
WE'LL NOTIFY INFIRMARY.

503
00:28:38,238 --> 00:28:40,240
I'M LISTENING IN SO I CAN
FIGURE OUT THEIR BLOODY SYSTEM.

504
00:28:40,283 --> 00:28:41,545
WE'VE GOT IT MADE,
MATE.

505
00:28:54,558 --> 00:28:57,431
ONE THING YOU CANNOT GET
ANYWHERE ELSE IN THE WORLD--

506
00:28:57,474 --> 00:29:00,477
A GOOD HOT DOG.

507
00:29:00,521 --> 00:29:03,654
SO TELL ME, ANTON,
WHERE'S MR. ROSS AT FINANCIALLY?

508
00:29:03,698 --> 00:29:06,048
THEO,
HE IS MY EMPLOYER.

509
00:29:06,092 --> 00:29:08,094
PROFESSIONAL ETHICS.

510
00:29:08,137 --> 00:29:09,835
WHAT'S
PROFESSIONAL ETHICS

511
00:29:09,878 --> 00:29:13,316
COMPARED TO WORKS
BY A GREAT MASTER, RIGHT?

512
00:29:13,360 --> 00:29:14,361
SO IS ROSS UP TIGHT FOR MONEY
OR NOT?

513
00:29:14,404 --> 00:29:16,624
MM, NO.

514
00:29:16,667 --> 00:29:18,365
YOU ARE ON THE WRONG TRACK
WITH HIM.

515
00:29:18,408 --> 00:29:20,193
WELL, THAT DOES IT.

516
00:29:20,236 --> 00:29:21,455
NOW, HERE I AM
STICKING UP FOR YOU,

517
00:29:21,498 --> 00:29:23,457
FEEDING YOU
STRAIGHT INFORMATION,

518
00:29:23,500 --> 00:29:25,111
YOU'RE FEEDING YOUR FACE
WITH A HOT DOG,

519
00:29:25,154 --> 00:29:26,199
AND YOU SIT THERE
AND YOU LIE TO ME.

520
00:29:26,242 --> 00:29:28,201
WELL,
WHAT BROUGHT THIS ON?

521
00:29:28,244 --> 00:29:30,943
KELLY TOLD ME, ROSS IS READY
TO SELL THOSE REMBRANDTS

522
00:29:30,986 --> 00:29:32,248
FOR ALMOST ANY PRICE.

523
00:29:32,292 --> 00:29:34,642
HE'S DESPERATE
FOR MONEY.

524
00:29:34,685 --> 00:29:36,557
AND YOU, PROFESSOR,
YOU'RE TOO SMART A DETECTIVE

525
00:29:36,600 --> 00:29:38,211
- NOT TO KNOW THAT.
- THEO, IT--

526
00:29:38,254 --> 00:29:40,169
HEY, I'M CUTTING OFF
ALL COOPERATION WITH YOU.

527
00:29:40,213 --> 00:29:41,431
NO MORE VISITS
TO THE TOMBS,

528
00:29:41,475 --> 00:29:43,216
NO TAPE RECORDERS GIMMICKS,
NOTHING.

529
00:29:43,259 --> 00:29:45,435
NOW, PLEASE,
LISTEN TO ME.

530
00:29:45,479 --> 00:29:48,525
SEVEN YEARS AGO, MY BROTHER
WAS MURDERED BY SOME GANG.

531
00:29:48,569 --> 00:29:51,572
AS A POLICEMAN,
I GOT NOWHERE WITH THE CASE.

532
00:29:51,615 --> 00:29:53,661
SO I-I LEFT THE FORCE,

533
00:29:53,704 --> 00:29:56,577
SOLD MY SERVICES
TO THE UNDERWORLD,

534
00:29:56,620 --> 00:29:59,058
AND GOT THE LEAD I NEEDED
TO HIS KILLERS.

535
00:29:59,101 --> 00:30:01,364
WHATEVER I DO,

536
00:30:01,408 --> 00:30:03,627
IT IS BECAUSE
I CANNOT TOLERATE INJUSTICE,

537
00:30:03,671 --> 00:30:05,934
LIKE THOSE REMBRANDTS
JEOPARDIZED.

538
00:30:07,370 --> 00:30:09,372
THAT IS THE TRUTH.

539
00:30:11,984 --> 00:30:13,420
YOU GOT 24 MORE HOURS
TO TRY YOUR GIMMICK

540
00:30:13,463 --> 00:30:15,552
WITH THE TAPE RECORDER.

541
00:30:15,596 --> 00:30:18,555
THANK YOU.

542
00:30:34,136 --> 00:30:36,486
THIS JUST GOT BACK
FROM THE LAB.

543
00:30:36,530 --> 00:30:39,489
THERE ARE NO ODD FINGERPRINTS,
NO SECRET COMPARTMENTS,

544
00:30:39,533 --> 00:30:41,274
NOTHING EXCEPT

545
00:30:41,317 --> 00:30:43,406
AN AIR-CONDITIONING REPAIRMAN'S
TOOLBOX.

546
00:30:43,450 --> 00:30:45,582
AND HERE'S
THEIR INVENTORY.

547
00:30:47,802 --> 00:30:50,152
WHAT DO THEY MEAN,
ONE CAN OF OIL?

548
00:30:50,196 --> 00:30:53,155
ONE EMPTY CAN
CONTAINING TRACES OF NAPHTHA?

549
00:30:53,199 --> 00:30:55,114
WHAT'S NAPHTHA USED FOR?

550
00:30:55,157 --> 00:30:56,942
WELL, IT USED TO BE USED
FOR A CLEANING FLUID,

551
00:30:56,985 --> 00:30:58,117
YOU KNOW, LIKE CLEANING
A BLOCK OF HATS,

552
00:30:58,160 --> 00:30:59,727
ONLY IT WAS
VERY INFLAMMABLE.

553
00:30:59,770 --> 00:31:01,294
IT'S VERY HOT STUFF.

554
00:31:01,337 --> 00:31:03,296
THEY USE IT IN SOME RACING CARS
INSTEAD OF GAS.

555
00:31:03,339 --> 00:31:05,124
NAPHTHA.

556
00:31:05,167 --> 00:31:07,256
ALL RIGHT,
GET ME SOME.

557
00:31:07,300 --> 00:31:09,084
AND GET MR. TRAVIZIUS DOWN HERE,
WILL YA, PLEASE?

558
00:31:09,128 --> 00:31:11,173
YES, SIR.

559
00:31:13,784 --> 00:31:16,657
THEIR SYSTEM...

560
00:31:16,700 --> 00:31:18,267
IT'S A PIECE OF CAKE.

561
00:31:18,311 --> 00:31:19,616
ARE YOU ALMOST FINISHED,
MATE?

562
00:31:19,660 --> 00:31:21,792
SHOULD BE READY
AFTER DINNER.

563
00:31:21,836 --> 00:31:25,666
GREAT, JUST GREAT.

564
00:31:27,537 --> 00:31:29,148
NAPHTHA.

565
00:31:29,191 --> 00:31:31,063
I COULD SMELL IT ALL DAY,
I WOULDN'T KNOW.

566
00:31:31,106 --> 00:31:33,587
BUT IF THAT'S WHAT YOU SAY IT
IS, I'LL TAKE YOUR WORD FOR IT.

567
00:31:33,630 --> 00:31:37,504
THERE'S NAPHTHA.
HERE'S COFFEE.

568
00:31:37,547 --> 00:31:39,419
NOW, YOU TELL ME,
MR. TRAVIZIUS,

569
00:31:39,462 --> 00:31:41,116
WHAT ABOUT ME
TAKING YOUR WORD?

570
00:31:41,160 --> 00:31:42,378
TAKING MY WORD
FOR WHAT?

571
00:31:42,422 --> 00:31:43,989
YOUR BUSINESS.

572
00:31:44,032 --> 00:31:46,165
WE KNOW IT ISN'T IN THE GREATEST
SHAPE, MR. TRAVIZIUS.

573
00:31:46,208 --> 00:31:47,122
WE'VE RUN
A QUICK CHECK ON IT.

574
00:31:47,166 --> 00:31:50,125
SO?
WHOSE BUSINESS IS?

575
00:31:50,169 --> 00:31:52,345
WAIT A MINUTE.
YOU'RE CHECKING ON ME?

576
00:31:52,388 --> 00:31:54,695
WELL, YOU SEE,
I'M CURIOUS.

577
00:31:54,738 --> 00:31:56,740
I MEAN, HOW COME
THESE ART THIEVES KNOW

578
00:31:56,784 --> 00:31:59,743
EXACTLY WHERE AND WHEN
TO TAKE OVER YOUR TRUCK?

579
00:31:59,787 --> 00:32:01,571
EXACTLY WHY IS THERE
A CAN FILLED WITH NAPHTHA

580
00:32:01,615 --> 00:32:03,182
IN YOUR TOOLBOX,

581
00:32:03,225 --> 00:32:05,358
A SUBSTANCE WHICH YOU DON'T USE
IN YOUR BUSINESS?

582
00:32:05,401 --> 00:32:08,578
WHAT THE HELL IS THIS?
THEY PUT IT IN THERE.

583
00:32:08,622 --> 00:32:11,277
WAIT A MINUTE.
DO YOU THINK I'M IN ON THIS?

584
00:32:11,320 --> 00:32:12,843
YOU COULD HAVE BEEN PAID,
MR. TRAVIZIUS,

585
00:32:12,887 --> 00:32:14,802
TO ARRANGE
CERTAIN CONDITIONS,

586
00:32:14,845 --> 00:32:16,369
MAKE IT LOOK LIKE
YOU WERE KNOCKED OUT.

587
00:32:16,412 --> 00:32:18,414
YOU THINK THIS IS
A FAKE WOUND?

588
00:32:18,458 --> 00:32:20,590
YOU THINK I GOT PAID
FOR THIS?

589
00:32:20,634 --> 00:32:22,592
OH, GRACIOUS.

590
00:32:22,636 --> 00:32:26,292
MR. TRAVIZIUS, YOU KNOW,
PEOPLE IN NEED OF MONEY,

591
00:32:26,335 --> 00:32:29,164
THEY DO VERY STRANGE
AND UNEXPECTED

592
00:32:29,208 --> 00:32:31,732
AND RECKLESS,
RECKLESS THINGS.

593
00:32:31,775 --> 00:32:33,255
FOR THE LAST TIME NOW,

594
00:32:33,299 --> 00:32:37,564
DID YOU HELP THESE THIEVES
IN ANY WAY?

595
00:32:37,607 --> 00:32:40,567
YOU MUST THINK I HATE YOUR
GUTS FOR THESE INSINUATIONS.

596
00:32:40,610 --> 00:32:42,612
- OH, MR. TRAVIZIUS--
- NO, NO, NO.

597
00:32:42,656 --> 00:32:46,312
IT'S INTERESTING. YOU GOT
GOOD PERCEPTIONS, LIEUTENANT.

598
00:32:46,355 --> 00:32:48,314
I THOUGHT
OF GOING CROOKED ONCE.

599
00:32:48,357 --> 00:32:50,751
I'LL ADMIT IT NOW THAT
THE CAT'S OUT OF THE BAG.

600
00:32:50,794 --> 00:32:52,622
THAT'S THE OTHER PART
OF MY NATURE.

601
00:32:52,666 --> 00:32:55,451
MY MOTHER WANTED
A PROFESSIONAL MAN FOR A SON.

602
00:32:55,495 --> 00:32:59,194
CONSEQUENTLY, YOU SEE BEFORE YOU
A CLIMATE ENGINEER.

603
00:32:59,238 --> 00:33:01,240
BUT THAT'S
ON THE OUTSIDE.

604
00:33:01,283 --> 00:33:03,851
ON THE INSIDE,
I'M A CROOK.

605
00:33:03,894 --> 00:33:07,768
WHAT CAPERS I THINK OF.

606
00:33:07,811 --> 00:33:10,379
YOU KNOW THOSE RARE BOOKS
IN THE MORGAN LIBRARY?

607
00:33:10,423 --> 00:33:12,120
- YEAH.
- WELL, THE OTHER NIGHT

608
00:33:12,164 --> 00:33:13,861
I WAS IN BED
AND I THOUGHT

609
00:33:13,904 --> 00:33:16,516
THAT IT WOULD BE
VERY INTERESTING--

610
00:33:16,559 --> 00:33:19,649
TRAVIZIUS, WHY DON'T YOU
GO FIX A THERMOSTAT?

611
00:33:21,695 --> 00:33:23,262
AND THANKS
FOR COMING IN.

612
00:33:23,305 --> 00:33:25,916
YOU DON'T WANNA KNOW
WHERE THOSE DRAWINGS ARE.

613
00:33:25,960 --> 00:33:27,483
WHERE'S THAT,
MR. TRAVIZIUS?

614
00:33:30,834 --> 00:33:32,880
THEY NEVER
REALLY EXISTED.

615
00:33:32,923 --> 00:33:35,839
THE GUARDS THAT DELIVERED THEM
WERE PREVIOUSLY HYPNOTIZED,

616
00:33:35,883 --> 00:33:39,800
SO WAS THE GIRL
THAT RUNS THE GALLERY.

617
00:33:39,843 --> 00:33:41,628
THEY NEVER
DELIVERED ANYTHING.

618
00:33:41,671 --> 00:33:44,761
IT WAS THE SHADOW
WHO PULLED IT OFF.

619
00:33:44,805 --> 00:33:47,721
YOU'LL CATCH HIM.
YOU'LL SEE.

620
00:33:49,375 --> 00:33:52,334
SHADOW.
SHOULD HAVE THOUGHT OF THAT.

621
00:33:54,945 --> 00:33:57,426
NEVER DELIVERED ANYTHING.

622
00:33:59,733 --> 00:34:03,215
SURE, THAT'S HOW.

623
00:34:07,741 --> 00:34:09,482
FRANK, I GOT IT.

624
00:34:09,525 --> 00:34:12,485
HERE, LOOK.

625
00:34:23,409 --> 00:34:26,151
OH, YES,
HANDKERCHIEF FLAMBEÉ.

626
00:34:26,194 --> 00:34:27,674
- OH, YEAH?
- ARE YOU UNDER A STRAIN, THEO?

627
00:34:27,717 --> 00:34:30,938
NO, CAPTAIN, I'M FINE.

628
00:34:30,981 --> 00:34:33,854
FRANK, I THINK I KNOW
WHERE THE PAINTINGS ARE.

629
00:34:33,897 --> 00:34:36,900
SO IT WON'T BE
A TOTAL LOSS.

630
00:35:22,032 --> 00:35:24,296
WHAT'S HAPPENING,
THEO?

631
00:35:24,339 --> 00:35:27,255
- JUST WHAT I THOUGHT.
- WHAT'S "JUST WHAT I THOUGHT"?

632
00:35:27,299 --> 00:35:29,344
THE SAND
IN BOTH OF THESE ASHTRAYS,

633
00:35:29,388 --> 00:35:31,738
DOES IT LOOK THE SAME TO YOU?
PEEK.

634
00:35:31,781 --> 00:35:34,436
THEO, SAND IS SAND.

635
00:35:34,480 --> 00:35:36,482
FRANK, LOOK AT
THE "SAND IS SAND."

636
00:35:36,525 --> 00:35:38,658
IT'S DARKER
THAN THE OTHER ONE, RIGHT?

637
00:35:38,701 --> 00:35:40,529
KELLY, CAN YOU GET ME
A NEWSPAPER FROM YOUR OFFICE?

638
00:35:40,573 --> 00:35:43,315
- YEAH, SURE. EXCUSE ME.
- SO WHAT ABOUT IT?

639
00:35:43,358 --> 00:35:45,317
THE SUSPENSE, FRANK,
THAT'S ALL THE FUN.

640
00:35:47,014 --> 00:35:49,582
ONE PUSH,
IT COMES OPEN.

641
00:35:49,625 --> 00:35:51,714
GOOD LUCK.

642
00:35:56,066 --> 00:35:57,590
NIKO, COME ON.

643
00:35:57,633 --> 00:35:59,940
START STAINING
YOUR PANTS.

644
00:35:59,983 --> 00:36:02,464
WE'RE GONNA LEAVE HERE
IN TEN MINUTES.

645
00:36:10,472 --> 00:36:12,909
- WHAT'S THAT FROM?
- ASHES.

646
00:36:12,953 --> 00:36:16,435
THERE'S YOUR DRAWINGS.

647
00:36:16,478 --> 00:36:18,915
CARBON FROM FIVE DRAWINGS
THAT WERE DOUSED WITH NAPHTHA

648
00:36:18,959 --> 00:36:21,004
- AND BURNED.
- BURNED?

649
00:36:21,048 --> 00:36:22,702
BURNED.

650
00:36:42,025 --> 00:36:44,376
HEY!

651
00:36:44,419 --> 00:36:46,987
HEY,
I DON'T FEEL GOOD!

652
00:36:50,120 --> 00:36:52,122
PRISONER SICK.
UNLOCKING GATE EIGHT.

653
00:37:18,497 --> 00:37:21,587
HUH? THEY BURNED THEM UP
IN A FEW SECONDS,

654
00:37:21,630 --> 00:37:23,458
ANY SMELL GETTING SUCKED OUT
THE AIR-CONDITIONING.

655
00:37:23,502 --> 00:37:26,461
THE SAND,

656
00:37:26,505 --> 00:37:29,421
IN HERE LIKE THIS,

657
00:37:29,464 --> 00:37:32,598
HUH?

658
00:37:32,641 --> 00:37:34,687
SHAKE IT AROUND
A LITTLE BIT...

659
00:37:37,559 --> 00:37:39,605
PUT IT BACK IN THE BUCKET
LIKE THAT...

660
00:37:42,564 --> 00:37:44,871
TOP PART BACK,

661
00:37:44,914 --> 00:37:48,091
AND THAT'S ABOUT WHEN I
CAME THROUGH HERE WITH KELLY.

662
00:37:52,574 --> 00:37:54,620
THIS IS 212.

663
00:37:54,663 --> 00:37:56,709
UNLOCKING GATE EIGHT.

664
00:37:56,752 --> 00:37:58,841
PRISONER
FOR THE INFIRMARY.

665
00:38:36,879 --> 00:38:39,099
BURNED, MY GOD.

666
00:38:39,142 --> 00:38:40,492
BUT WHY?

667
00:38:40,535 --> 00:38:42,537
THOSE DRAWINGS
WERE PRICELESS.

668
00:38:42,581 --> 00:38:43,669
OH, WERE THEY?

669
00:38:43,712 --> 00:38:45,453
HEY, KELLY,

670
00:38:45,497 --> 00:38:47,150
HOW HARD DID YOU STUDY THEM
WHEN THEY WERE DELIVERED?

671
00:38:47,194 --> 00:38:49,544
WELL, I-I HUNG THEM,
THAT'S ALL.

672
00:38:49,588 --> 00:38:51,938
I THINK ROSS ARRANGED
TO SEND YOU FORGERIES.

673
00:38:51,981 --> 00:38:55,202
THEY BURNED THE FORGERIES.
MADE IT LOOK LIKE A ROBBERY.

674
00:38:55,245 --> 00:38:57,073
- WELL, THAT'S A FIRST.
- MM-HMM.

675
00:38:57,117 --> 00:38:59,598
MEANWHILE, ROSS HAS THE REAL
DRAWINGS HIDDEN AWAY SOMEWHERE.

676
00:38:59,641 --> 00:39:02,296
HE PLANS TO ARRANGE A FAKE
BUYBACK FROM THE CROOKS.

677
00:39:02,340 --> 00:39:04,516
THEN HE JUST POCKETS
THE INSURANCE MONEY

678
00:39:04,559 --> 00:39:07,257
AND PRODUCES THE DRAWINGS.
NO RISK TO HIM AT ALL.

679
00:39:07,301 --> 00:39:09,172
NO, I DON'T--
I DON'T UNDERSTAND.

680
00:39:09,216 --> 00:39:11,261
WHAT WERE THE CROOKS
GOING TO HAND OVER

681
00:39:11,305 --> 00:39:13,089
IF YOU, YOU KNOW,
DECIDED TO LET THEM OFF?

682
00:39:13,133 --> 00:39:15,309
- ROSS.
- THEY WERE WARNING HIM.

683
00:39:15,353 --> 00:39:17,267
IF THEY DIDN'T GET OFF,
THEY'D TURN TO THE STATE.

684
00:39:17,311 --> 00:39:18,704
WHEREUPON ROSS HIRES
VALENTINE.

685
00:39:18,747 --> 00:39:20,575
- I HATE IT, FRANK.
- WHAT?

686
00:39:20,619 --> 00:39:23,056
HE SPRINGS THEM FROM JAIL,
FRANK.

687
00:39:23,099 --> 00:39:25,537
THAT'S THE ONLY THING
HE CAN DO.

688
00:39:36,286 --> 00:39:37,984
ATTENTION.

689
00:39:38,027 --> 00:39:40,029
THIS IS FOUR THREE.

690
00:39:40,073 --> 00:39:43,511
PRISONERS ESCAPED.
SPOTTED ON NORTH ROOF.

691
00:39:43,555 --> 00:39:46,253
ALL AVAILABLE GUARDS
REPORT TO NORTH ROOF.

692
00:40:00,572 --> 00:40:02,617
LIEUTENANT,
THE RADIO'S GONE BANANAS.

693
00:40:02,661 --> 00:40:04,837
CENTRAL IS JAMMED WITH
INFORMATION ABOUT A JAILBREAK

694
00:40:04,880 --> 00:40:06,142
AT THE TOMBS.

695
00:40:06,186 --> 00:40:08,623
FOLLOW ME.

696
00:40:45,051 --> 00:40:48,228
COME ON, MATE.
HURRY UP.

697
00:40:50,317 --> 00:40:52,972
YOU GOT IT?

698
00:41:31,706 --> 00:41:33,882
GET OUT OF SIGHT.
YOU'LL RUIN THE PLAN.

699
00:41:33,926 --> 00:41:35,667
HEY, DOCTOR,

700
00:41:35,710 --> 00:41:37,886
I'M DOING A BIG THUNDERSTORM
ALL OVER YOUR PARADE.

701
00:41:37,930 --> 00:41:38,974
YOU BROKE MY HEART,

702
00:41:39,018 --> 00:41:40,889
AND YOU'RE FINISHED,
CAPISCE?

703
00:41:40,933 --> 00:41:43,413
THEO, I'M MERELY TRYING
TO GET AT THE TRUTH.

704
00:41:43,457 --> 00:41:45,285
YOU'RE AFTER THE BIGGEST BUCK
YOU CAN GET FROM ROSS

705
00:41:45,328 --> 00:41:46,460
FOR SPRINGING THOSE CREEPS

706
00:41:46,504 --> 00:41:47,853
BEFORE THEY BLOW THE WHISTLE
ON HIM.

707
00:41:47,896 --> 00:41:49,768
HE SET
THIS WHOLE THING UP

708
00:41:49,811 --> 00:41:51,813
TO SWINDLE
HIS INSURANCE COMPANY.

709
00:41:51,857 --> 00:41:53,206
ARE YOU SURE?

710
00:41:53,249 --> 00:41:55,687
HEY, DON'T PLAY DUMB
WITH ME.

711
00:41:55,730 --> 00:41:57,906
NO, REALLY.

712
00:41:57,950 --> 00:42:00,996
I ONLY BEGAN TO SUSPECT ROSS
WHEN HE WAS WILLING TO PAY ME

713
00:42:01,040 --> 00:42:03,956
WITH A PERFECTLY VULGAR FORGERY
OF A ROUAULT.

714
00:42:03,999 --> 00:42:06,828
THAT--THAT MAN
WILL STOOP TO NOTHING.

715
00:42:06,872 --> 00:42:09,657
ISN'T VERY NICE OF YOU NOT
TO LET ME FIND OUT FOR MYSELF

716
00:42:09,701 --> 00:42:11,224
WHAT HAPPENED
TO THOSE DRAWINGS

717
00:42:11,267 --> 00:42:12,486
AFTER ALL THE TROUBLE
I'VE GONE TO.

718
00:42:12,530 --> 00:42:14,749
I DON'T BELIEVE THIS.

719
00:42:31,374 --> 00:42:35,161
STAVROS.

720
00:42:35,204 --> 00:42:38,164
- YES, SIR.
- GIVE ME YOUR CUFFS.

721
00:42:52,178 --> 00:42:54,223
HERE THEY COME.

722
00:42:58,880 --> 00:43:00,229
LET'S GO!

723
00:43:00,273 --> 00:43:02,449
NOT UNTIL I KNOW
WHERE THE DRAWINGS ARE.

724
00:43:02,492 --> 00:43:03,711
WE BURNT THEM!

725
00:43:03,755 --> 00:43:05,713
YOU BURNED THEM?
WHY?

726
00:43:05,757 --> 00:43:08,455
IN CASE
WE WERE CAUGHT.

727
00:43:08,498 --> 00:43:11,414
THEN THEY WOULDN'T KNOW
THEY WERE FORGERIES.

728
00:43:11,458 --> 00:43:13,547
YOU SEE, HE DIDN'T WANT
TO TAKE THE RISK.

729
00:43:13,591 --> 00:43:15,418
- HE'S A VERY CLEVER LAD.
- WHO? ROSS?

730
00:43:15,462 --> 00:43:17,246
- YES!
- WHERE HAS HE GOT

731
00:43:17,290 --> 00:43:19,771
- THE REAL DRAWINGS?
- WE DON'T KNOW!

732
00:43:19,814 --> 00:43:23,426
NOW, LET'S GO!

733
00:43:23,470 --> 00:43:26,342
HI. YOU PLAY <i>MONOPOLY?</i>

734
00:43:26,386 --> 00:43:28,040
YOU PROCEED
DIRECTLY BACK TO JAIL.

735
00:43:28,083 --> 00:43:30,346
YOU COLLECT
ANOTHER 18 MONTHS.

736
00:43:30,390 --> 00:43:32,871
AND GET THE HELL
OUTTA HERE.

737
00:43:32,914 --> 00:43:34,829
- COME ON.
- ALL RIGHT, YOU TWO, MOVE IT!

738
00:43:34,873 --> 00:43:36,962
COME ON, LET'S GO.
COME ON.

739
00:43:41,880 --> 00:43:44,230
THEY BURNT
FIVE FORGERIES.

740
00:43:44,273 --> 00:43:45,318
WOULD YOU LET ME HAVE
MY CUFFS?

741
00:43:45,361 --> 00:43:47,929
OH, PARDON.

742
00:43:49,931 --> 00:43:52,064
WE FOUND SOME OF THE NAPHTHA
THEY USED TO INCINERATE THEM.

743
00:43:52,107 --> 00:43:54,327
VERY GOOD, THEO.

744
00:43:54,370 --> 00:43:57,373
HEY, TWO MEN
OUT OF YOUR PRISON,

745
00:43:57,417 --> 00:43:58,984
NOT BAD, EH?

746
00:43:59,027 --> 00:44:01,116
NOT VERY SMART EITHER.
YOU BETTER CUFF HIM.

747
00:44:01,160 --> 00:44:02,857
YEAH, AND WHAT'S THIS HERE,
CHOPPED LIVER?

748
00:44:02,901 --> 00:44:05,468
CAPTAIN, I WOULD NOT LET THEM
OUT OF THE TRUCK.

749
00:44:05,512 --> 00:44:08,558
WHEN I GOT TO THE AIRPORT,
I WOULD HAVE TELEPHONED YOU,

750
00:44:08,602 --> 00:44:10,125
TELL YOU
WHERE THE TRUCK WAS.

751
00:44:10,169 --> 00:44:12,214
AND A MESSENGER
WOULD DELIVER THE TAPES,

752
00:44:12,258 --> 00:44:14,434
AND I WOULD BE ON MY WAY
TO ITALY.

753
00:44:14,477 --> 00:44:17,002
NOW, YOU WOULD NOT EXTRADITE ME
FOR A LITTLE JAILBREAK, HUH?

754
00:44:17,045 --> 00:44:18,960
YOU GOT CAUGHT.
WE CAN'T SPRING YOU.

755
00:44:19,004 --> 00:44:20,962
AND ROSS STILL HAS
THE REMBRANDTS STASHED AWAY,

756
00:44:21,006 --> 00:44:22,311
- AND WE CAN'T PROVE IT.
- I CAN.

757
00:44:22,355 --> 00:44:24,400
BUT MY OWN WAY.

758
00:44:24,444 --> 00:44:26,489
I MUST GET TO ROSS' APARTMENT
IMMEDIATELY

759
00:44:26,533 --> 00:44:28,491
BEFORE THE NEWS BREAKS
ON THE RADIO.

760
00:44:28,535 --> 00:44:30,145
AND I ALSO MUST HAVE
A SMALL TRANSMITTER

761
00:44:30,189 --> 00:44:33,235
SO THAT YOU CAN HEAR
MY CONVERSATION.

762
00:44:33,279 --> 00:44:36,282
AFTER ALL,
IF YOU ARE GOING TO JAIL ME,

763
00:44:36,325 --> 00:44:38,545
A LITTLE SATISFACTION,
HUH?

764
00:45:05,093 --> 00:45:07,443
COME IN.

765
00:45:11,186 --> 00:45:14,059
WHAT HAPPENED?

766
00:45:14,102 --> 00:45:15,843
I HAD THEM ON A FREIGHTER
FOR EUROPE

767
00:45:15,887 --> 00:45:18,498
A HALF-HOUR AGO.
THEY TOLD ME EVERYTHING,

768
00:45:18,541 --> 00:45:22,110
HOW YOU HIRED THEM,
HOW THEY BURNED THE FORGERIES.

769
00:45:22,154 --> 00:45:24,852
WELL, YOU HAD TO FIND OUT
SOONER OR LATER.

770
00:45:24,896 --> 00:45:26,636
DOESN'T MAKE
ANY DIFFERENCE NOW.

771
00:45:26,680 --> 00:45:30,205
- HE WAS TELLING THE TRUTH.
- SHH. HEAR NO EVIL, BABY.

772
00:45:30,249 --> 00:45:34,166
WELL, HERE IS THE ROUAULT
YOU ASKED FOR.

773
00:45:34,209 --> 00:45:36,472
NO.

774
00:45:36,516 --> 00:45:38,387
IT IS A FORGERY.

775
00:45:38,431 --> 00:45:41,042
I WANT
ONE OF THE REMBRANDTS.

776
00:45:41,086 --> 00:45:44,611
AS A MATTER OF FACT,
I INSIST ON IT OR ELSE.

777
00:45:44,654 --> 00:45:47,135
- YOU HAVE THEM HERE?
- NO, I-I DON'T HAVE THEM HERE.

778
00:45:47,179 --> 00:45:49,355
- THEY--
- WHERE ARE THEY?!

779
00:45:49,398 --> 00:45:54,012
PLEASE. PLEASE,
IN THE--IN THE CLOSET

780
00:45:54,055 --> 00:45:56,666
- IN A SPECIAL COMPARTMENT.
- NOW, JUST TURN AROUND.

781
00:45:56,710 --> 00:45:58,233
TURN AROUND!

782
00:45:58,277 --> 00:45:59,931
SORRY TO DO THIS,
MR. ROSS,

783
00:45:59,974 --> 00:46:02,324
BUT IT SHOULD ONLY BE
FOR A FEW MINUTES.

784
00:46:02,368 --> 00:46:04,979
I'M SURE YOU CAN USE THE TIME
TO CONTEMPLATE THE CHARGES

785
00:46:05,023 --> 00:46:06,676
YOU'LL BE FACING--

786
00:46:06,720 --> 00:46:09,375
CONSPIRACY TO COMMIT
A GRAND THEFT,

787
00:46:09,418 --> 00:46:11,333
ATTEMPTING TO DEFRAUD
AN INSURANCE COMPANY,

788
00:46:11,377 --> 00:46:13,292
AIDING AND ABETTING
A JAILBREAK.

789
00:46:13,335 --> 00:46:14,902
IT SHOULD KEEP YOU TIED UP
FOR YEARS,

790
00:46:14,946 --> 00:46:16,730
AS A MATTER OF FACT.

791
00:46:16,774 --> 00:46:19,211
YOU KNOW, MR. ROSS,

792
00:46:19,254 --> 00:46:22,736
AN HONEST MAN WHO HIRES ME
GETS AN HONEST JOB.

793
00:46:22,780 --> 00:46:26,044
A CROOK GETS A CROOK.

794
00:46:26,087 --> 00:46:29,743
ARE YOU LISTENING,
KOJAK?

795
00:46:29,787 --> 00:46:31,266
WHAT'S HE DOING
TALKIN' TO ME?

796
00:46:31,310 --> 00:46:33,529
I LOVE TO DOUBLE-CROSS
THE CROOKS, KOJAK.

797
00:46:33,573 --> 00:46:35,183
I LIVE FOR IT.

798
00:46:35,227 --> 00:46:37,316
LIKE YOU LIVE
TO CATCH THEM.

799
00:46:54,159 --> 00:46:55,725
THEO,

800
00:46:55,769 --> 00:46:59,642
I CANNOT TELL YOU HOW GOING
TO JAIL WOULD DRIVE ME CRAZY.

801
00:46:59,686 --> 00:47:02,558
I'M SORRY
TO DISAPPOINT YOU.

802
00:47:04,386 --> 00:47:05,779
LIEUTENANT.

803
00:47:05,823 --> 00:47:07,563
ROSS SAYS VALENTINE
TOOK ALL FIVE DRAWINGS.

804
00:47:07,607 --> 00:47:09,435
ALL RIGHT. CALL DOWN
TO THE CAPTAIN, WILL YOU?

805
00:47:09,478 --> 00:47:10,784
TELL HIM TO SEAL OFF
THE BUILDING.

806
00:47:10,828 --> 00:47:12,655
I WANT THE WHOLE BLOCK
SURROUNDED. GO AHEAD.

807
00:47:32,414 --> 00:47:33,676
ALL FIVE?

808
00:47:33,720 --> 00:47:36,157
YEAH.
THIS MAN'S CRAZY, CROCKER.

809
00:47:36,201 --> 00:47:37,376
FIVE REMBRANDTS
SAFE AND SOUND.

810
00:47:37,419 --> 00:47:39,291
ROSS
ON THE HOT SEAT.

811
00:47:39,334 --> 00:47:41,684
THE THIEVES
SAFE INSIDE JAIL AGAIN.

812
00:47:41,728 --> 00:47:43,425
HOW MUCH CAN
A POLICEMAN ASK FOR?

813
00:47:43,469 --> 00:47:45,384
ALL RIGHT, I WANT YOU TO GET
EVERYBODY OFF THE STREETS,

814
00:47:45,427 --> 00:47:47,603
ALL OUR PEOPLE.
GET THEM UP ON THE ROOFS, HUH?

815
00:47:47,647 --> 00:47:50,563
SEARCH THEM GOOD, AND I DON'T
CARE HOW LONG IT TAKES.

816
00:47:50,606 --> 00:47:52,739
UP?

817
00:47:52,782 --> 00:47:54,654
UP.

818
00:47:54,697 --> 00:47:56,743
UP. UP.

819
00:48:06,666 --> 00:48:08,668
DISAPPOINT ME?

820
00:48:08,711 --> 00:48:10,757
NO WAY, PROFESSOR.

821
00:48:12,759 --> 00:48:16,545
THAT WAS OVER 100 FEET
OF HIGH-STRENGTH CLIMBING ROPE.

822
00:48:16,589 --> 00:48:19,070
WHERE DID HE GET IT?

823
00:48:19,113 --> 00:48:21,289
I DON'T KNOW. COULD HAVE HAD
IT STASHED IN ROSS' APARTMENT.

824
00:48:21,333 --> 00:48:24,118
YOU MEAN
HE HAD HIMSELF COVERED

825
00:48:24,162 --> 00:48:25,598
IN CASE
YOU CAUGHT ON TO HIM?

826
00:48:25,641 --> 00:48:27,295
HEH, FOR ALL I KNOW,
THE MAN HAD THREE OTHER PLANS

827
00:48:27,339 --> 00:48:28,514
IN CASE
THAT ONE DIDN'T WORK.

828
00:48:28,557 --> 00:48:30,385
HE THINKS AHEAD.
GIVE HIM CREDIT.

829
00:48:30,429 --> 00:48:32,170
KELLY, DID YOU GET
THOSE THINGS DONE YET?

830
00:48:32,213 --> 00:48:34,737
YEAH,
THIS IS THE LAST ONE.

831
00:48:34,781 --> 00:48:38,263
AH.

832
00:48:38,306 --> 00:48:41,396
WELL...

833
00:48:41,440 --> 00:48:44,225
- WHAT DO YOU THINK, FRANK?
- HEY.

834
00:48:44,269 --> 00:48:47,141
- NOT BAD, NOT BAD AT ALL.
- THANK YOU.

835
00:48:47,185 --> 00:48:50,231
NOW, SHOULD I GO WITH
THE VANDYKE, LIKE VALENTINE?

836
00:48:50,275 --> 00:48:52,407
LOOK AT THAT
DRAMATIC EFFECT.

837
00:48:52,451 --> 00:48:54,583
YOU WITH A BEARD?
NO WAY.

838
00:48:54,627 --> 00:48:56,237
WHAT, ARE YOU PREJUDICE
AGAINST SKINHEADS?

839
00:48:56,281 --> 00:48:58,109
NO, BUT A BEARD
IS DIFFERENT.

840
00:48:58,152 --> 00:49:01,590
WHY? IT'S JUST HAIR
THAT SLIPPED DOWN.

841
00:49:01,634 --> 00:49:03,679
HEY, KID,
I'M GLAD YOU'RE OFF THE HOOK,

842
00:49:03,723 --> 00:49:06,465
AND THANKS FOR THE DOODLES,
OKAY?

843
00:49:08,858 --> 00:49:11,165
OH, FRANK, LOOK,
I WAS A LITTLE SHARP WITH HER

844
00:49:11,209 --> 00:49:12,775
DURING THE INVESTIGATION,
YOU KNOW?

845
00:49:12,819 --> 00:49:15,126
AND I'D LIKE THE CHANCE
TO APOLOGIZE.

846
00:49:15,169 --> 00:49:18,259
SURE.

847
00:49:23,438 --> 00:49:26,267
HEY,
THANK YOU, THEO.

848
00:49:27,790 --> 00:49:30,532
AND IF YOU'D EVER LIKE TO
COME UP AND SEE MY ETCHINGS...